The Wee Peeple January Newsletter - Issue 23 weepeeple.com

The Wee Peeple Newsletter

January 2009 Issue 23

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The Dollmaker goes to Florida

Yes, while sitting on a bench at a bus stop

in the middle of the city of Ft. Lauderdale, Florida, waiting for the City Bus,

the Dollmaker looked up

to see why the tropical looking lady seated next to her was pointing and exclaiming,

"Oh look! They are coming!"

The fellow passenger did not mean that the busses were coming.

Iguanas were approaching. Iguanas on the sidewalk!

Boldly sauntering out from the thick palm frond style shrubbery.

Crossing the sidewalk to eat something in the grass, like a bunch of squirrels!

The Dollmaker-Tourista, using rapid-fire reflexes nobody knew she had,

whipped out her camera and took off sprinting-sneaking down the sidewalk after them.

When she got back to her brother Paul's house,

with tales of giant Iguanas emerging from the brush,

surprising unsuspecting Touristas in the middle of the city,

brother Paul looked at the pictures and said-

Oh no! Those green ones are only babies!

What you want to see are the big guys!

When they get big they turn orange...

Heh heh. So...

The Dollmaker Goes to the Park

remember those scenes in the old King Kong and Godzilla movies....

Where Giant Lizards Battle it out...

So...at the park, the Dollmaker was tip-toeing along the brushy fence line,

holding her camera straight out in front of her,

when suddenly out poked a head.

She froze, focusing. Got it.

Then, before she could take a breath, a second head popped out even closer,

another large male Iguana. Focus. Focus. Good. Good.

That would have been enough. Just those two shots.

But no.

The Dollmaker was about to witness a real show

as the two of them confidently strode out onto the turf,

or, to phrase it more scientifically... the "Territory"...

Oh but wait! What is this!

Right there, winking and blinking those chameleon-style eyeballs of hers!

Oh it's a FEMALE!

...looking first at one big male and then at the other,

and in the flash of a whipping tail, now you've got..."Territorial".

...circling...

The average person walking or driving around

on the paved roadways of the park in a golf cart

might never guess that this particular little stretch of grass along the side of the road

was a full-blown Territory

complete with a little King who had his own problems.

The Lady Iguana was undoubtedly impressed-

She kept looking around to see if her girlfriends were watching. They were.

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The Dollmaker had a great time in Florida-

Thanks for the hospitality, dear brother Paul! (Capitano!)

...and the good tip on where to go to see the big guys!

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Some more

WINTER NEWS

Fun is always in Style!

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These women are simply known as

The Benefactoresses!

This charming and mischievous group of ladies

secretly got together and ordered a

special magical Wee Peeple Doll for

This woman!

They are known to the Dollmaker only as "The Benefactoresses"!

Hail to the Benefactoresses who order Magical Wee Peeple Dolls for their friends!

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and meanwhile... this just in...

Teacher Wears Yarny Things to School!

My dearest Dollmaker,

We had a story book parade in Oct.

I borrowed Kira's Yarnies to dress as Esmeralda from the Hunchback of Notre Dame.

Thought you'd get a kick out of it.

Alda from the Majikal Family

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And didn't Alda make a great Esmerelda!

The Majikal Family

(that's the Dollmaker's nick-name for one of her favorite families!

These fine folks frequently show up at Wee Peeple Doll Shoppes in their Renaissance Finery,

ever since Kira was just a baby... (actually, since before Kira was born...)

yay.

"Sunshine is delicious, rain is refreshing, wind braces us up, snow is

exhilarating; there is really no such thing as bad weather, only different

kinds of good weather."

- John Ruskin

The Winter Research

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ok, Dollmaker, back to work...

Here we go....

Using Sculpting Compounds

(what the heck is a "Sculpting Compound"?)

Super Sculpey

Experimenting with "sculpting compounds" or polymer clays-

there are several different kinds.

The Dollmaker likes Super Sculpey.

Delightfully soft and easy to use, in fact, so soft that it can be tricky to work with it-

(remember Salvador Dali's soft timepieces which just sort of... reclined...?)

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Investigating the Materials: a quick Education

first of all- this Sculpey stuff- if the Dollmaker is going to work with it, she needs to know...

about this "polymer clay"- what is it?

no, it's not "clay" as we know it....

It's actually closer

to PVC pipe

with the addition of chemical softeners...

"Vinyl, also known as “PVC” or “Polyvinyl chloride,”

is one of the most widely used synthetic materials due to its durability and versatility.

Common uses include piping, vinyl siding, vinyl flooring, electrical insulation,

windows, toys, medical equipment, cloth and paper coating, packaging,

and countless other plastic products."

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Polymer Clay is a great product.

It's really awesome to work with.

But there is one important thing which I feel the manufacturers do not stress enough in their labeling.

In my research, I have read that polyvinyl chloride gives off toxic fumes when its burned. hmmmm

You have to cook it...so...

Be warned that when you burn the Sculpey,

(note the absence of the word "if")

for you very well might (WILL) sooner or later char the heck out of a batch...

(...and it's not just beginners, either- the Polymer Doll Pros (for example: Patricia Rose)

certainly have their own stories about burning the polymer clay,

and how you have to watch it like a hawk,

especially when you use a toaster oven.)

...be ready- be ventilated, if the product turns black...

Do NOT breathe the vapors.

That would be hydrogen chloride gas. An unfriendly substance.

Also, do not cook the Sculpey product in the same oven that you use for your food.

The Dollmaker had an electrical outlet installed on the porch, so that the Toaster Oven

could be outdoors in a well ventilated area.

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From the Super Sculpey website:

All of the Sculpey clays manufactured by or sold by Polyform Products Company are of the highest quality.

Safety is and always has been our number one priority.

All Sculpey clays are certified non-toxic and approved to use the AP non-toxic seal by The Arts & Creative Materials Institute (ACMI).

For the full ACMI report, click here.

Please note. All Polyform Products are free from wheat, gluten, sulfur, dairy, nuts, latex and animal by-products.

Our products are never tested on animals. For usage and application questions please contact us directly.

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ok, so now, with all that said....

Let's make some Sculpey Figures!

This is where we left off before the Texas Renaissance Festival

interrupted our studies of Sculpey Figures

(The black cat heads are not black because they are burned- they are painted black! LOL!)

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NOW, THEN >>>>>

Let's get back to it!

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Dollmaker's Mission Statement:

To make a line of small lightweight dolls which can be suspended in the air,

posed in flying and swimming positions.

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The Dollmaker tried sculpting the figure on a flat surface first.

This is a good idea because no armature is required

but what we end up with is a figure with a flat back.

The second more full-bodied figure the Dollmaker created with an armature.

wire and aluminum foil armatures

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OK, you Dollmakers out there... There is a really good tutorial on

How to Make Hands

(check out this link on You Tube)

oh you are just going to love this little video

In fact, when you start watching the You Tube Videos you might be absorbed for quite some time,

as the Dollmaker was...

studying how the pros create wonderful sculptural objects of art-

it's all right there on You Tube, folks! Hundreds of dollars of lessons are right there.

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LOW TEMPERATURES

When you cook the Sculpey at a lower temperature, say 175 degrees,

you can put small dowels into the oven, beads for eyes, polyester fiberfill (more on that later)

and even small business cards and they don't burn at 175 degrees.

Why on earth would we want to put a small business card into a toaster oven?

...Or a glob of polyester fiberfill?

The paper is to prevent the Sculpey Figure from getting a "SHINE" mark,

which happens when we cook the sculpey directly on the metal tray.

And the polyester fiberfill, believe it or not folks,

we can wrap around the delicate extremities (feet and hands)

to help keep them from burning. Amazing, huh?

Also we can lay a figure on a bed of polyester fiberfill

so that the figure doesn't ever touch the metal tray at all-

which means no flat or shiney hineys! A good thing!

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Here is a mermaid lying on a cloud of polyester fiberfill-

the temperature setting is around 160 degrees- very low.

Her hands and the narrow part of her tail are surrounded for protection.

The Dollmaker has noticed that the figures are more inclined to burn

when they have a wire or aluminum foil armature inside of them.

The hands with the wooden sticks inside of them could be cooked at 175 degrees

for up to 20 minutes and never burn,

whereas hands and feet with wire inside of them have to be watched closely-

the Dollmaker cooks them for five minutes at a time- it is good to check frequently.

Experiment! Have fun! Be safe.

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This winter there are going to be a lot more Animal Totems made also.

Oh yes! There is a lot to do this winter....

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Meanwhile....

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Here is a good story for the New Year..........

(It's a kind of long story, one you might want to read with a cup of hot tea- a very satisfying story...)

The Man Who Planted Trees

by Jean Giono

About forty years ago I was taking a long trip on foot over mountain heights quite unknown to tourists in that ancient region where the Alps thrust down into Provence. All this, at the time I embarked upon my long walk through these deserted regions, was barren and colourless land. Nothing grew there but wild lavender.

I was crossing the area at its widest point, and after three days' walking found myself in the midst of unparalleled desolation. I camped near the vestiges of an abandoned village. I had run out of water the day before, and had to find some. These clustered houses, although in ruins, like an old wasps' nest, suggested that there must once have been a spring or well here. There was, indeed, a spring, but it was dry. The five or six houses, roofless, gnawed by wind and rain, the tiny chapel with its crumbling steeple, stood about like the houses and chapels in living villages, but all life had vanished.

It was a fine June day, brilliant with sunlight, but over this unsheltered land, high in the sky, the wind blew with unendurable ferocity. It growled over the carcasses of the houses like a lion disturbed at its meal. I had to move my camp.

After five hours' walking I had still not found water, and there was nothing to give me any hope of finding any. All about me was the same dryness, the same coarse grasses. I thought I glimpsed in the distance a small black silhouette, upright, and took it for the trunk of a solitary tree. In any case I started towards it. It was a shepherd. Thirty sheep were lying about him on the baking earth.

He gave me a drink from his watergourd and, a little later, took me to his cottage in a fold of the plain. He drew his water - excellent water from a very deep natural well above which he had constructed a primitive winch. The man spoke little. This is the way of those who live alone, but one felt that he was sure of himself, and confident in his assurance. That was unexpected in this barren country. He lived, not in a cabin, but in a real house built of stone that bore plain evidence of how his own efforts had reclaimed the ruin he had found there on his arrival. His roof was strong and sound. The wind on its tiles made the sound of the sea upon its shores.

The place was in order, the dishes washed, the floor swept, his rifle oiled; his soup was boiling over the fire. I noticed then that he was cleanly shaved, that all his buttons were firmly sewed on, that his clothing had been mended with the meticulous care that makes the mending invisible. He shared his soup with me and afterwards, when I offered my tobacco pouch, he told me that he did not smoke. His dog, as silent as himself, was friendly without being servile.

It was understood from the first that I should spend the night there; the nearest village was still more than a day and a half away. And besides I was perfectly familiar with the nature of the rare villages in that region. There were four or five of them scattered well apart from each other on these mountain slopes, among white oak thickets, at the extreme end of the wagon roads. They were inhabited by charcoal-burners, and the living was bad. Families, crowded together in a climate that is excessively harsh both in winter and in summer, found no escape from the unceasing conflict of personalities. Irrational ambition reached inordinate proportions in the continual desire for escape. The men took their wagonloads of charcoal to the town, then returned. The soundest characters broke under the perpetual grind. The women nursed their grievances. There was rivalry in everything, over the price of charcoal as over a pew in the church. And over all there was the wind, also ceaseless, to rasp upon the nerves. There were epidemics of suicide and frequent cases of insanity, usually homicidal.

The shepherd went to fetch a small sack and poured out a heap of acorns on the table. He began to separating the good from the bad. I smoked my pipe. I did offer to help him. He told me that it was his job. And in fact, seeing the care he devoted to the task, I did not insist. That was the whole of our conversation. When he had set aside a large enough pile of good acorns he counted them out by tens, meanwhile eliminating the small ones or those which were slightly cracked, for now he examined them more closely. When he had thus selected one hundred perfect acorns he stopped and he went to bed.

There was peace in being with this man. The next day I asked if I might rest here for a day. He found it quite natural - or to be more exact, he gave me the impression that nothing could startle him. The rest was not absolutely necessary, but I was interested and wished to know more about him. He opened the pen and led his flocks to pasture. Before leaving, he plunged his sack of carefully selected and counted acorns into a pail of water.

I noticed that he carried for a stick an iron rod as thick as my thumb and about a yard and a half long. Resting myself by walking, I followed a path parallel to his. His pasture was in a valley. He left the little flock in charge of the dog and climbed towards where I stood. I was afraid that he was about to rebuke me for my indiscretion, but it was not that at all: this was the way he was going, and he invited me to go along if I had nothing better to do. He climbed to the top of the ridge about a hundred yards away.

There he began thrusting his iron rod into the earth, making a hole in which he planted an acorn; then he refilled the hole. He was planting an oak tree. I asked him if the land belonged to him. He answered no. Did he know whose it was? He did not. He supposed people who cared nothing about it. He was not interested in finding out whose it was. He planted his hundred acorns with the greatest care. After the midday meal he resumed his planting. I suppose I must have been fairly insistent in my questioning, for he answered me. For three years he had been planting trees in this wilderness. He had planted 100,000. Of these, 20,000 had sprouted. Of the 20,000 he still expected to lose about half to rodents or to the unpredictable designs of Providence. There remained 10,000 oak trees to grow where nothing had grown before.

That was when I began to wonder about the age of this man. He was obviously over fifty. Fifty-five, he told me. His name was Elzeard Bouffier. He had once had a farm in the lowlands. There he had had his life. He had lost his only son, then his wife. He had withdrawn into this solitude, where his pleasure was to live leisurely with his lambs and his dog. It was his opinion that this land was dying for want of trees. He added that, having no very pressing business of his own, he had resolved to remedy this state of affairs.

Since I was at that time, in spite of my youth, leading a solitary life, I understood how to deal gently with solitary spirits. But my very youth forced me to consider the future in relation to myself and to a certain quest for happiness. I told him that in thirty years his 10,000 oaks would be magnificent. He answered quite simply that if God granted him life, in thirty years he would have planted so many more that these 10,000 would be like a drop of water in the ocean.

Besides, he was now studying the reproduction of beech trees and had a nursery of seedlings grown from beechnuts near his cottage. The seedlings, which he protected from his sheep with a wire fence, were very beautiful. He was also considering birches for the valleys where, he told me, there was a certain amount of moisture a few yards below the surface of the soil.

The next day we parted.

The following year came the War of 1914, in which I was involved for the next five years. An infantry-man hardly had time for reflecting upon trees. To tell the truth, the thing itself had made no impression upon me; I had considered it as a hobby, a stamp collection, and forgotten it.

The war over, I found myself possessed of a tiny demobilization bonus and a huge desire to breathe fresh air for a while. It was with no other objective that I again took the road to the barren lands.

The countryside had not changed. However, beyond the deserted village I glimpsed in the distance a sort of grayish mist that covered the mountaintops like a carpet. Since the day before, I had begun to think again of the shepherd tree-planter. "Ten thousand oaks," I reflected, "really take up quite a bit of space." I had seen too many men die during those five years not to imagine easily that Elzeard Bouffier was dead, especially since, at twenty, one regards men of fifty as old men with nothing left to do but die. He was not dead. As a matter of fact he was extremely spry. He had changed jobs. Now he had only four sheep but, instead, a hundred beehives. He had got rid of the sheep because they threatened his trees. For, he told me (and I saw for myself'), war had disturbed him not at all. He had imperturbably continued to plant.

The oaks of 1910 were then ten years old and taller than either of' us. It was an impressive spectacle. I was literally speechless and, as he did not talk, we spent the whole day walking in silence through his forest. In three sections, it measured eleven kilometers in length and three kilometers at its greatest width. When you remembered that all this had sprung from the hands and the soul of this one man, without technical resources, you understand that men could be as effectual as God in realms other than that of destruction.

He had pursued his plan, and beech trees as high as my shoulder, spreading out as far as the eye could reach, confirmed it. He showed me handsome clumps of birch planted five years before - that is, in 1915, when I had been fighting at Verdun. He had set them out in all the valleys where he had guessed - and rightly - that there was moisture almost at the surface of the ground. They were as delicate as young girls, and very well established.

Creation seemed to come about in a sort of chain reaction. He did not worry about it; he was determinedly pursuing his task in all its simplicity, but towards the village I saw water brooks that had been dry since the memory of man. This was the most impressive result of chain reaction that I had seen. These dry streams had once, long ago, run with water. Some of the dreary villages I mentioned before had been built on the sites of ancient Roman settlements, traces of which still remained; and archaeologists, exploring there, had found fishhooks where, in the twentieth century, cisterns were needed to assure a small supply of water.

The wind, too, scattered seeds. As the water reappeared, so there reappeared willows, rushes, meadows, gardens, flowers, and a certain purpose in being alive. But the transformation took place so gradually that it became part of the pattern without causing any astonishment. Hunters, climbing into the wilderness in pursuit of hares or wild boar, had of course noticed the sudden growth of little trees, but had attributed it to some caprice of' the earth. That is why no one meddled with Elzeard Bouffier's work. If he had been detected he would have had opposition. He was undetectable. Who in the villages or in the administration could have dreamed of such perseverance in a magnificent generosity?

To have anything like a precise idea of this exceptional character one must not forget that he worked in total solitude: so total that, towards the end of his life, he lost the habit of speech. Or perhaps it was that he saw no need for it.

In 1933 he received a visit from a forest ranger who notified him of an order against lighting fires out of' doors for fear of endangering the growth of this natural forest. It was the first time, the man told him naively, that he had ever heard of a forest growing of its own accord. At that time Bouffier was about to plant beeches at a spot some twelve kilometers from his cottage. In order to avoid traveling back and forth - for he was then seventy-five - he planned to build a stone cabin right at the plantation. The next year he did so.

In 1935 a whole delegation came from the Government to examine the "natural forest." There was a high official from the Forest Service, a Deputy, technicians. There was a great deal of ineffectual talk. It was decided that something must be done and, fortunately, nothing was done except the only helpful thing: the whole forest was placed under the protection of the State, and charcoal burning prohibited. For it was impossible not to be captivated by the beauty of those young trees in the fullness of health, and they cast their spell over the Deputy himself.

A friend of mine was among the forestry officers of the delegation. To him I explained the mystery. One day the following week we went together to see Elzeard Bouffier. We found him hard at work, some ten kilometers from the spot where the inspection had taken place.

This forester was not my friend for nothing. He was aware of values. He knew how to keep silent. I delivered the eggs I had brought as a present. We shared our lunch among the three of us and spent several hours in wordless contemplation of the countryside.

In the direction from which we had come the slopes were covered with trees twenty to twenty-five feet tall. I remembered how the land had looked in 1913: a desert . . . Peaceful, regular toil, the vigorous mountain air, frugality and, above all, serenity in the spirit had endowed this old man with awe-inspiring health. He was one of God's athletes. I wondered how many more acres he was going to cover with trees.

Before leaving my friend simply made a brief suggestion about certain species of trees that the soil here seemed particularly suited for. He did not force the point, "for the very good reason," he told me later, "that Bouffier knows more about it than I do." At the end of an hour's walking having turned it over in his mind - he added, "He knows a lot more about it than anybody. He's discovered a wonderful way to be happy!"

It was thanks to this officer that not only the forest but also the happiness of the man was protected. He delegated three rangers to the task, and so terrorized them that they remained proof against all the bottles of wine the charcoal-burners could offer.

The only serious danger to the work occurred during the War of 1939. As cars were being run on gazogenes (wood-burning generators), there was never enough wood. Cutting was started among the oaks of 1910, but the area was so far from any railway that the enterprise turned out to be financially unsound. It was abandoned. The shepherd had seen nothing of it. He was thirty kilometers away, peacefully continuing his work, ignoring the war of 1939 as he had ignored that of 1914.

I saw Elzeard Bouffier for the last time in June of 1945. He was then eighty-seven. I had started back along the route through the wastelands; but now, in spite of the disorder in which the war had left the country, there was a bus running between the Durance Valley and the mountain. I attributed the fact that I no longer recognized the scenes of my earlier journeys to this relatively speedy transportation. It took the name of a village to convince me that I was actually in that region that had been all ruins and desolation.

The bus put me down at Vergons. In 1913 this hamlet of ten or twelve houses had three inhabitants. They had been savage creatures, hating one another, living by trapping game, little removed, physically and morally, from the conditions of prehistoric man. All about them nettles were feeding upon the remains of abandoned houses. Their condition had been beyond hope. For them, nothing but to await death - a situation which rarely predisposes to virtue.

Everything was changed. Even the air. Instead of the harsh dry winds that used to attack me, a gentle breeze was blowing, laden with scents. A sound like water came from the mountains; it was the wind in the forest; most amazing of all, I heard the actual sound of water falling into a pool. I saw that a fountain had been built, that it flowed freely and - what touched me most - that someone had planted a linden beside it, a linden that must have been four years old, already in full leaf, the incontestable symbol of resurrection.

Besides, Vergons bore evidence of labor at the sort of undertaking for which hope is required. Hope, then, had returned. Ruins had been cleared away, dilapidated walls torn down and five houses restored. Now there were twenty-eight inhabitants, four of them young married couples. The new houses, freshly plastered, were surrounded by gardens where vegetables and flowers grew in orderly confusion, cabbages and roses, leeks and snapdragons, celery and anemones. It was now a village where one would like to live.

From that point I went on foot. The war just finished had not allowed the full blooming of life, but Lazarus was out of the tomb. On the lower slopes of the mountain I saw little fields of barley and rye; deep in that narrow valley the meadows were turning green.

It has taken only the eight years since then for the whole countryside to glow with health and prosperity. On the site of the ruins I had seen in 1913 now stand neat farms, cleanly plastered, testifying to a happy and comfortable life. The old streams, fed by the rains and snows that the forest conserves, are flowing again. Their waters have been channeled. On each farm, in groves of maples, fountain pools overflow on to carpets of fresh mint. Little by little the villages have been rebuilt. People from the plains, where land is costly, have settled here, bringing youth, motion, the spirit of adventure. Along the roads you meet hearty men and women, boys and girls who understand laughter and have recovered a taste for picnics. Counting the former population, unrecognizable now that they live in comfort, more than 10,000 people owe their happiness to Elzeard Bouffier.

When I reflect that one man, armed only with his own physical and moral resources, was able to cause this land of Canaan to spring from the wasteland, I am convinced that, in spite of everything, humanity is admirable. But when I compute the unfailing greatness of spirit and the tenacity of benevolence that it must have taken to achieve this result, I am taken with an immense respect for that old and unlearned peasant who was able to complete a work worthy of God.

Elzeard Bouffier died peacefully in 1947 at the hospice in Banon.

Jean Giono

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Ficus Trees!